It's black and dark, and it's a thick, powerful ink graphic S curve that flows from one end of the picture to the other, forming the entire picture's visual skeleton and narrative line. The top of the curve is a picturer with a transparent sense of quality, internal mapping of traditional building supersedings and blue green currents; with the mixed distribution of Guangzhou landmarks and classical building sequences along the curve, the outlook is for cranes and lakes, and the vision is for piles of mountains. The whole is based on non-linear visualization, cold-colored domination, warm dot suffix, combination of Eastern aesthetics with modern images, 8K ultra-high-level rendering, ratio 9:16.