According to the Red House Dream, a collection of epic narrative posters is automatically produced, with a hug

According to the "Red House Dreams" automatic production of a collection of epic narrative posters, the vastly elegant {Lindayu} person's side-screeching as a profile automatically produces within the interior a whole world view, iconic scenes, role relationships, symbols, key buildings, organisms, props and atmospheres that best fit the subject. The whole is not an ordinary collage, but an advanced version of the profile-filled narrative synthesis, with a double-exposure scenario, but reinforced as a film-class narrative and space movement. Film poster style + Eastern realism aesthetic convergence, emphasizing real physical photocopying, lens language, spatial depth and narrative level. It uses film-class reverse light and local heating light dots, cooling and cooling, and adds volume light and light fog to enhance spatial sense. The material is expressed in real substance (architectural, silk, skin, stone), avoids pure brush touch, preserves soft and air vision, but optimizes film-class depth and focus control. Light film particles, with edge whiteness and brushes converted to film-style soft and integrated transitions, large areas of white space, layout restraint, quiet, large, restrained and fateful Eastern film narratives. All elements must bind to the theme, recognize it at once, do not mess with it, do not spell it hard, do not sample the background, do not use cheap phantom material.