Chinese Minimalist S-Shaped Poster

A minimalist neo-Chinese aesthetic style; the image sits on an elegant off-white gray background and has the dimensional quality of a paper-cut silhouette.
An S-shaped winding crack-like edge splits the frame, as if a layer of paper had been torn open to reveal a colorful Eastern landscape inside.
Within the tear, a winding river runs from top to bottom through the entire composition, rendered in blues of varying depth with clear layering, like a flowing ribbon.
Both banks are dotted with verdant hills and terraced fields in soft colors, greens and reds interwoven, showing the serene beauty of the countryside.
Traditional-style buildings built along the river are arranged at varied heights, with upturned eaves, white walls and dark tiles, looking all the more rustic and refined under the play of light and shadow.
Trees along the bank are lush with light foliage, and a small boat sits still in the middle of the water, adding a touch of leisurely mood.
The overall composition follows an S-shaped curve, full of rhythm, as if nature and human culture coexisted in harmony.
The edges of the artwork use a torn-paper effect, creating a dimensional, relief-like visual experience.
The inscription below, "东方美学" (Oriental Aesthetics), is written in black kaishu (regular script); the date "2026/04/18" echoes a red seal stamp; the word "CHINA" at the bottom is dignified and prominent; the signature "@LIYUE" closes it quietly. The overall atmosphere is tranquil and profound, full of poetry and contemplation.