A minimalist East Asian ink-wash landscape with strong negative space. On the left side, tall

A minimalist East Asian ink-wash landscape with strong negative space. On the left side, tall, jagged mountains rise vertically, painted in layered grayscale tones using soft ink washes. Multiple thin waterfalls cascade down the cliffs in long, delicate vertical lines, partially obscured by dense mist that softens edges and creates depth. The lower left foreground includes dark silhouettes of pine trees clinging to rocky slopes, their forms simplified and slightly blurred by atmospheric haze. Additional faint mountain layers recede into the background, progressively lighter and more diffuse. In the lower right corner, a small traditional pagoda stands on a forested hill, rendered as a dark silhouette with tiered, curved roofs. It is partially surrounded by stylized trees, blending into the misty environment. Across the midsection, small flocks of birds fly in loose formation, depicted as simple black brushstroke silhouettes, adding motion and scale. From the upper right corner, a cherry blossom branch extends diagonally into the composition. The branch is dark and sharply defined, with clusters of blossoms painted in loose, expressive strokes of red and coral tones. Some petals appear scattered, with a few drifting downward into the empty space. The central and upper portions of the image are largely empty, filled with pale white or very light gray, emphasizing balance, openness, and contrast between dense and sparse areas. --ar 2:3 --v 7