Upper body back view of an oil painter in close-up on the left foreground, back to the viewer

Upper body back view of an oil painter in close-up on the left foreground, back to the viewer, holding a wooden palette and paintbrush, focused on creating an oil painting on an easel, completely unaware of the outside observer; a dilapidated, ancient, shabby dark room with vague and indistinct details, engulfed in deep impenetrable shadows; dramatic Rembrandt-style chiaroscuro, faint dim candlelight only illuminating the painter’s hands, palette and canvas; distant background: a side window of the old room, an anthropomorphic hedgehog with a human body wearing a ragged long robe, hedgehog head with profoundly human-like and enigmatic facial expressions, secretly peeking its head into the room and stealthily spying on the painter with a subtle, intriguing gaze; in the style of Francisco Goya’s late Black Paintings from the Quinta del Sordo (Deaf Man’s House), wild chaotic brushstrokes, grim and nightmarish atmosphere, murky dark tones, raw and brutal texture, somber psychological darkness, heavy oppressive shadows, distorted forms, monochromatic earthy hues, haunting and uncanny mood, old master canvas texture, tenebrism --ar 4:5 --s 50 --v 8