It's a style of retweeting and overwriting.

It's the style of a recognizance and overwritten photography. The walled image, the front of the scenery, is located in the centre of the picture, occupying about three quarters of the height, and the face is concentrated in the first half of the picture. Young Eastern women, white and translucent skins, fine and perfunctory, as if they were thin white, with real pores and soft and light. The black hair is long and closes back to round and low, the hairline retains its natural fragrance, with only one white velvet on its side, free of extra decorations such as earring and necklaces. The five officials are fine, and the air is between Lindayu and the sound. The eyes are blind, the eyes are far away, and there is a wet feeling and a light redness that will not cry. As if the soul had wandered away from reality and had been caught by the lens by chance. The lips are slightly opened, soft and soybean coral. Large areas of cheeks are light-skinned, and nature becomes invisible to the temples, as the sky is tanned rather than makeup. Naked necks and collarbones are repaired and shoulder lines are naturally relaxed. It's like a light bean sand liner. The background is based on a sense of old photographs of the nation, completely defunct, without furniture, props and complex scenes. It's a slight dark corner, and the edge of the picture is naturally dark. The Brown sidelight is soft, the light is soft and the dark is rich. The whole body is low in saturation, warm and delicate in colour, creating a calm, melancholy, ingrained oriental aesthetic atmosphere. The details of the recognizance are combined with a sense of overwritten photographic quality, with an old-month hymn of painting and modern high-end images. The image is self-restraint, clean, advanced, with museum-level digital restoration, and 8K super-high.