The words of the ancient poems are written on the screen: "Man falls in garland, night falls in the mountains.

The images will reflect the words of the ancient poems: "Man is free to fall, the night is silent." The moon rises, and the time is ticking. What I need is a picture of the mountains and mountains at the end of the month that fit the ancient poem: This is not an ordinary old wind illustration, nor is it a real mountain water painting, but rather a high-level poster between Eastern poetry, editorial design, micro-paste devices, and visual images of information. The picture is like a model of a poem that has been built in silence: poems are not adjoining, and scenery is not independent. Together, they form a restraining, white, orderly, emotional visual system. Overall style: Very simple east, geometry, poetic information boards, microscapes, low polygonal flats, modern editing design, paper sense, exhibition drawings, poetry archive. The images must be quiet, restrained, unwieldy, unfavourable, unsure, unsavory, unsuspecting, unsuspecting, unsuspecting, unsuspecting. The image requires a large amount of leftovers, with the main objects concentrated on the central or slightly partial side of the picture, and a whole horizontal spread, like a volume of opened poetry paper. A thick geometry subject, deep or near black, can emerge as the visual focus of the image, which can be like a long case, hull, platform, vessel, boundary, stage or building base. Other objects naturally grow from within, on the edge, behind, below or in the air. Geometrical languages: The image is organized using black heavy platforms, round holes, semi-rounds, vertical paper pieces, fine long columns, flat surfaces, steps, arc containers, lined scales, transparent paper pieces, suspended objects. Geometric bodies need to have a slight 3D perspective, but do not become real 3D rendering. Maintain a sense of quality between the plane illustrations and micromodels. Poetry elements: The most important natural images, such as the moon, wind, flowers, rain, snow, water, canoes, mountains, tree shadows, branches, fallen petals, clouds, fog, light, aroma, twilight. All natural elements need to be geometrically, symbolically, quietly. The petals can float like paper, the wind can become very thin transparent arcs, the water can be like a light mirror, the moon can be a low saturated round, and mountains can be a semi-transparent geometry. Text layout: Text must be part of the image structure. The main poem can be printed in large Chinese vertical rows on the left side of the picture or in a white area. The font should have a Song, a monument, a scroll or a modern oriental font style, which cannot resemble a normal advert. Small labels, small notes, short sentences, tics, numbering can be placed on the side of the column, geometric edges, by the wind line or in the corner of the picture, as indicated in the exhibition drawings. Words should be small and precise, not crowded, not dense, not generating a large amount of meaningless little words. Colour requirements: The background is warm rice white, ivory white or grey paper, with very slight granular texture. The main object is black, near black, ink as a stable centre of gravity, mixed with low saturated and warm yellow, moon yellow, wood colour, light rice, paste powder, salmon powder, forest green, mint green. Colours must be gentle, old paper-sensitive, not fluorescent, not saturated, not techno-blue, not sieb. The shadow is soft and restrained, and the edge is clear but not too sharp. It's like a piece of paper micro-set, not overreal, no camera level 3D, no painting, no ink spill. Keeps the sense of cleanness of advanced editorial designs. People: One or three micro-persons can be taken into account only as a measure and as an emotional reference. They can be standing, looking forward, walking, sitting alone, parachuting, looking at water, watching the moon. People can't be seen in mirrors, they can't be written. Image quality: You need to compare light to heavy. Black geometry subjects are responsible for weight, petals, wind lines, moonlight, small words, micro figures are responsible for light weight. The image should be like a view of the data, like an profile of a poem. Quiet on the macro, patient on the details. Avoid: Don't make an ordinary national wind illustration. Don't do it. Do not make a pure 3D architecture model. Don't put words on the picture. Don't fill the picture. Don't use too many decorations. Don't be saturated. Don't be technical. Don't spill ink. Don't let geometry overwhelm poetry. Final output: Generate a 4:3 horizontal image, advanced editorial design sense, 8K super-high resolution, suitable for PPT cover, self-media cover, poetry visual poster, page or brand card visualization.